Commission – completed

The brief I was given from my client was to paint her a picture of her field, which lies behind her offices and home in a rural area of South Norfolk.  She wanted a representation of the field in winter and depending on how that went, would probably ask me to do another painting of the field in summer.   The field or meadow doesn’t have any major features in it, other than a small coppice of trees and a separate area for her rescued chickens.   I knew that she didn’t want me to include the chickens in the finished painting, so I couldn’t mess about with that idea, which was actually what I wanted to do!  Chickens make excellent subjects for paintings!

I did have a few issues with the process of painting the required picture and had several different ideas of how to approach it.  So, I decided to present her with three versions last Friday and let her decide which one or ones she wanted to keep.

The first one is a realism approach taken from a photograph.  I wanted to capture the wintery light and bare branches, the grass was still quite luminous and deeply green.  This is on stretched canvas – 19″ x 16″.  Acrylics over inks.

 

Trees R 1

The second painting was more like the kind of style I enjoy doing, especially when it comes to depictions of trees.  Also on stretched canvas, same size (19″ x 16″) but portrait style.   I used an acrylic ink underpainting, topping it off with oil pastels and oil paints.

 

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The third painting was totally abstract and processed using gels, inks and acrylic paint on an artist canvas board.  This is about twice the size of the stretched canvas paintings.  I forgot to take a photo with my Canon before I took them to the client, and only have this mobile phone photo.

ABstract field

My client was so thrilled with all the paintings that she’s decided she wants all of them!  She is going to get them professionaly framed and then I will return to her home and take photos of these paintings in frames.  I am overjoyed that she really liked all the work, her husband especially liked the middle painting.  She has also decided to feature the paintings in prominent areas of her home – originally she was only going to place the paintings against a wall in one of the corridors leading into her house.

New small painting

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‘Little Field’

Acrylic inks, oil bars and oil paints on gesso-ed multi_media paper.

This small painting is available to purchase here

I am using this post to test out connection to my existing blog community on WordPress.  I am not certain that my website is visible to you all and I’d appreciate comment if you can or can’t see the website via this post.

My website address is:  http://www.janiceheatherscott.com

 

Oil Bars

Apologies for such a long time in posting any arty updates – been lots of family things to sort out lately, I’m quite exhausted by all of that, so let’s get on with it hey?

I discovered Winsor & Newton Oil Bars quite by accident and only have a small selection at this stage.  But boy am I enjoying this new found freedom.  I am still doing fiddly small things while I get used to manipulating the oil bars on different surfaces.  These are some of the more recent things I did over the weekend.

 

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‘Patchwork landscape with blue’

14.5″ x 10″ or 37cm x 25cm – actual painting size.

Acrylic inks, oil bars and oil paints on acrylic art pad.

Surface worked with sgraffito technique

 

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‘Poppy field’

9.5″ x 6.5″ or 24.5cm x 16 cm

Acrylic inks, Oil bars and oil paints on Daler Rowney acrylic paper

Surface worked with sgraffito technique

 

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‘Poppy field with buildings’

7″ x 5″ or 18cm x 12cm

Acrylic inks, oil bars and oil paint on mixed media paper.

Surface worked with sgraffito technique

I am also working on a largre canvas piece, as well as a larger landscape piece but these aren’t ready to put up here yet.

Hope you enjoy!

Various … oil and soft pastel experiments

‘Oil Poppies’

Approx. 12″ x 8″

Underpainting of alcohol inks, added area of gold metal effect medium, then overpainted with oils (not artist quality) on canvas board.

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I didn’t have any linseed oil or other mediums, as well as cleaning solvents, so was hesitant to try out these oils but then discovered that I could use Baby oil to dilute the paint and to clean the brushes, also much better on the skin!  So far the baby oil doesn’t appear to have created any dull patches – the paint is still wet, I expect it will only be dry and fully cured in a month’s time.   The oils and canvas board came with the set I describe below.

Soft pastel studies – my first attempts using this medium:

‘Dartmoor landscape’ from reference photo in a book.

Approx. 11″ x 7″

Soft pastels (not artist quality) on cheap scrapbooking type project paper (blue).

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‘Orange landscape’

Approx. 5½” x 7″

Soft pastels (not artist quality) on cheap scrapbooking type project paper (blue).

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Footnote:

I was given a compact artist’s kit comprising oils, acrylics and watercolour materials, plus palette and sample canvas boards, sketching pads, brushes, painting knives etc. etc. for a Christmas present.   These sample paintings are the results of playing about with the stuff in the kit.

I have never used soft pastels (chalk pastels) before and am finding them really fun to work with.  I enjoy the way I can layer over the colours and blend to get quite interesting effects.  This has inspired me to try and purchase better quality soft pastels as soon as I can, as well as some good quality paper – I’d like to turn out more impressive work in the future – so watch this space!

I hope everyone who visits this page had a lovely Christmas and everything of the very best fo 2017 – let’s hope it’s a positive year for all of us!