I decided to try this composition/subject out using water-mixable oils on paper, the underpainting was in acrylics. The paper I used is Daler-Rowney Heavyweight Finegrain 200gsm and was A2 or 59x42cm The actual painting is 57×39.5cm (there is a small border around it). This is the final result:
Oh aren’t we all fed up with winter and Covid yet?! I know I am. I have been studying quite a lot, so haven’t had much time to paint for myself in a while. Today, I decided to have a go with my Polyvine acrylic enamel paints, which I’m really loving. I bought them to use for the coursework (I’m now studying Understanding Painting Medium) and they were a great investment. I have a lot of little canvases lying around, so today was summer rose day! These roses grew outside one of the houses we rented a couple of years ago, they were always a delight.
Canvasses are 10x8x 1/2″ or 25.5x20x1cm
If you would like to purchase one or both, please email me: firstname.lastname@example.org
Thanks for stopping by. Keep safe!
Did a painting over the Easter holidays, inspired by life at the barn where we were a year ago. I am also fascinated by hedgerow life and conservation. I used acrylics for this piece on stretched canvas. To make the marks, I didn’t use any brushes but potatos cut up to stamp the paint with, as well as cotton buds, cotton wool balls, sticks, pieces of wood and cardboard, even tin foil. I was pleased with the final result and it has received a lot of compliments on Facebook.
‘Hedgerow and Barn’
Acrylics on stretched canvas. Ready to hang – does not need a frame.
22″ x 18″ x 3/4″ or 56cm x 45.5cm x 2cm
Pictures below to show detail and reverse.
Hey, I hope all of you who celebrate Christmas have a joyous one, filled with everything you need – like happiness, love, family and good friends.
Christmas is not about the gifts, or the tree or the baubles and garish lights festooning so many houses at this time of year but you wouldn’t think otherwise if you visited this planet from somewhere else. As an extra-terrestrial, I wonder if you’d find it all a bit strange when you look around, peer into the crack and see all those many lost people? The people who don’t have anyone to spend the holidays with, the people who are lonely or just alone in a crowd, the people who don’t have any food or place to live and there are many homeless people in this country and all over the world – what a sin that is! In this so-called age of enlightenment, that there are still so many people who have nowhere to live, no prospects, no food, relying on hand outs and hand-me-downs just to keep body and soul together. I wonder if your extra-terrestrial self would stop and think about that while you imbibe the ‘Christmas cheer’ and tuck into the turkey.
I’m not preaching, I’m as guilty as the next when it comes to over-indulging – both in the food and drink and the gift buying. I just hope that the people in my family who have had a right crap year, manage to glean happiness and warmth over this holiday season – we’ll be seeing one of them on Boxing Day.
HAPPY CHRISTMAS AND HAVE A GREAT NEW YEAR CELEBRATION
I hope 2019 is a great year for you all.
A4. Water-soluble oil pastels on Bockingford watercolour paper.
Some work I’ve been concentrating on this month – all done on Bockingford paper with Caran D’Ache water soluble oil pastels. Most are either A3 in size or A4:
Abstract Field 1
A4 – landscape
Abstract trees and foreground
Abstract trees and foreground 2
Variation on a theme
Looking out from Glenfinnan monument
A3 – portrait view
Abstract forest with black foreground
A3 – landscape
Something different (for me, at any rate). Got a bit tired of one of my larger canvasses last week, so decided to jazz it up somewhat. I don’t do this ‘pointilist’ type of work normally, so it was something strange to begin with but after a while I enjoyed the freedom.
‘What do you see?’
Acrylics on pre-textured stretched canvas.
120cm x 100cm x 4cm
I have been working with water-soluble oil pastels most of the rest of the time and hope to have something half-way decent to post up here soon!
I got me some Caran D’Ache ws oil pastels the other day and some really wonderful Bockingford Hot Pressed Watercolour Paper – A3 size – I took 20 sheets. What a difference good ground paper makes! It is really sturdy and quite stiff but takes a lot of manhandling with liquid and paint. I have been wanting to get stuck into water soluble oil pastels for a while now and decided on the Swiss made ones as they do seem to be at the top of everyone’s recommendation lists. And they are fantastic! Deeply pigmented, wonderful to work with both off the paper (i.e. mixing as on a palette) and on the paper. I have tried some layering in this picture, which was basically to test the vibrancy of the colours. I intend to do a series of paintings using this Bockingford paper of impressions of the Scottish HIghlands … so who knows hey? Anyhow, this is the result of today’s faffing about …
Water-soluble Oil Pastels (Caran D’Ache) on A3 Bockingford Hot pressed 300gms watercolour paper.
Close ups of detail
We are settling into our new home and I’m beginning to find more space and time to paint. This week I completed two pieces, this is the first to get up on a wall:
Image cropped :
Acrylics, sand texture, gels and inks on stretched canvas.
Size: 70cm x 60cm x 2cm (approx) or 27½” x 23½” x 1″
Well, we have at last settled into our new house. My painting space is very limited but I’m managing to scrape a hole big enough for myself and the paints … the large one below [abstract seascape) was painted mostly outdoors, great fun that was in 32 degrees C, trying to keep the acrylics wet!
The others were kinda commissions – Bay scene (Devon) was requested by the lady of our house and is now enconced in our seascape themed downstairs bathroom. Photo is crap, ‘cos there’s not enough room to stand back and get it in the camera frame properly. Never mind. The poppies was requested by a friend of mine, hope she likes it.
‘Seascape with sand texture’
Acrylics, inks and texture paste (sand) on stretched canvas.
120cm x 100cm x 4cm
Acrylics and inks on stretched canvas 100cm x 39cm
‘Poppies and wheat’
Acrylics and inks, gel pastes, structure pastes on stretched canvas. 45cm x 35cm
View below is minus the reflection.
There are many things influencing my outlook on life at the moment – some very positive (like moving to our own house very soon – yay, no more renting!) and others not quite as positive (like waiting to find out if we will be able to permanently care for my baby granddaughter – we will only know the answer to that one at end of July). My youngest son is also now seriously making plans to move over to the UK to be with us all – so that thought is very much at top of mind all the time and I was thinking about that a lot when I started painting this abstract. It was great to get back to canvas and something larger than the work I’ve been doing lately.
I used a lot of layers in this work, using inks mixed with structure gel and acrylics mixed with gloss gels and other medium. It was a cathartic experience, no matter what happens in life, family are the most important – at least they are to me. And sometimes family comprise people who are not your blood relatives. I hold them all close to my heart, they give me light …
Acrylics, inks, gels, structure gel on stretched canvas.
69cm x 59cm or 27″ x 23″
View of the work on one of my easels:
Texture close ups (lots of texture!):
This work is available to purchase.
Quite some time ago I started working on a series of paintings relating to the South African landscape, for some reason I didn’t finish that work. I decided to go back to one of them over the weekend and this is the result, might still do a bit more tweaking (as always!). This area holds a very special place in my heart (and psyche). It is one of the most beautiful parts of the world, glorious in any weather. This is a view of the ampitheatre from the river below. (My own reference photos)
For this one I used acrylic inks, soft pastels, then oil pastels on mixed media paper. Paper size is 16.5″ x 11.5″ (A3), painting takes up all surface of the paper.
The brief I was given from my client was to paint her a picture of her field, which lies behind her offices and home in a rural area of South Norfolk. She wanted a representation of the field in winter and depending on how that went, would probably ask me to do another painting of the field in summer. The field or meadow doesn’t have any major features in it, other than a small coppice of trees and a separate area for her rescued chickens. I knew that she didn’t want me to include the chickens in the finished painting, so I couldn’t mess about with that idea, which was actually what I wanted to do! Chickens make excellent subjects for paintings!
I did have a few issues with the process of painting the required picture and had several different ideas of how to approach it. So, I decided to present her with three versions last Friday and let her decide which one or ones she wanted to keep.
The first one is a realism approach taken from a photograph. I wanted to capture the wintery light and bare branches, the grass was still quite luminous and deeply green. This is on stretched canvas – 19″ x 16″. Acrylics over inks.
The second painting was more like the kind of style I enjoy doing, especially when it comes to depictions of trees. Also on stretched canvas, same size (19″ x 16″) but portrait style. I used an acrylic ink underpainting, topping it off with oil pastels and oil paints.
The third painting was totally abstract and processed using gels, inks and acrylic paint on an artist canvas board. This is about twice the size of the stretched canvas paintings. I forgot to take a photo with my Canon before I took them to the client, and only have this mobile phone photo.
My client was so thrilled with all the paintings that she’s decided she wants all of them! She is going to get them professionaly framed and then I will return to her home and take photos of these paintings in frames. I am overjoyed that she really liked all the work, her husband especially liked the middle painting. She has also decided to feature the paintings in prominent areas of her home – originally she was only going to place the paintings against a wall in one of the corridors leading into her house.
These are the first in a series of flower studies.
All on A3 double gesso-ed acrylic paper.
‘Cosmos – mixed’
Oils blended with glazing medium on acrylic inks background.
‘Daisies in sunlight’
Acrylics on acrylic ink background.
Oil pastels and paints – blended with glazing medium on acrylic ink background.
Oil pastels blended with glazing medium
I’ve titled this one, ‘On her way’ – it is inspired by the devastating mental health struggles my youngest daughter is currently experiencing after the birth of her baby almost three months ago. These last few months have been extremely traumatic for all of us but last night, when I went to visit her with her older sister, it was like she was back to her old self again. There is still a lot more work needs to be done but it was the proverbial light at the end of the tunnel I saw last night, as she walked away from us down the corridor to her room. She seemed to be surrounded by a golden glow and that’s what I wanted to get across in this painting.
“On her way”
Acrylics, inks, soft pastels on Daler Rowney system 3 acid free acrylic paper.
16 1/2″ x 11 1/2″ (not for sale)
Acrylic inks, oil bars and oil paints on gesso-ed multi_media paper.
This small painting is available to purchase here
I am using this post to test out connection to my existing blog community on WordPress. I am not certain that my website is visible to you all and I’d appreciate comment if you can or can’t see the website via this post.
My website address is: http://www.janiceheatherscott.com
Apologies for such a long time in posting any arty updates – been lots of family things to sort out lately, I’m quite exhausted by all of that, so let’s get on with it hey?
I discovered Winsor & Newton Oil Bars quite by accident and only have a small selection at this stage. But boy am I enjoying this new found freedom. I am still doing fiddly small things while I get used to manipulating the oil bars on different surfaces. These are some of the more recent things I did over the weekend.
‘Patchwork landscape with blue’
14.5″ x 10″ or 37cm x 25cm – actual painting size.
Acrylic inks, oil bars and oil paints on acrylic art pad.
Surface worked with sgraffito technique
9.5″ x 6.5″ or 24.5cm x 16 cm
Acrylic inks, Oil bars and oil paints on Daler Rowney acrylic paper
Surface worked with sgraffito technique
‘Poppy field with buildings’
7″ x 5″ or 18cm x 12cm
Acrylic inks, oil bars and oil paint on mixed media paper.
Surface worked with sgraffito technique
I am also working on a largre canvas piece, as well as a larger landscape piece but these aren’t ready to put up here yet.
Hope you enjoy!
Yesht, so I have managed to eventually get myself sorted out with a bit of space to paint in. I tried it out today because the rest of the family have gone away for the weekend, so I could make as much mess as I liked and actually get to concentrate on something for a whole day. Wonderful. I made a little video of the process I use to make paintings on stretched canvas (that are considered abstract) … I don’t work like this all the time.
Anyway, hope you enjoy and I’d appreciate comments on my video if you have the time (or inclination) … be brutal, I can take it. [Yeah, right] This is the finished product:
‘Sea and Sand’
21 ½” x 18″ x ½” [55cm x 46cm x 1.5cm]
Acrylics and inks on stretched canvas.
14 ¼” x 10 ¼” Soft pastels on paper
Footnote: I got hold of this with the Galeria gloss medium – the idea was to see if this medium would be compatible and protect the pastels better than a fixative spray. What seems to have happened is the tones have darkened – the painting is still interesting, I think and perhaps more atmospheric. I have matted and mounted it behind cellophane – photo just to show difference in tonality.
Yes, I’ve been absent from WordPress for quite a while … the whole of November has been a bit of a bugger up on my side – mainly because I’ve been in and out of hospital. I’m on the mend now and getting stronger all the time but it’s been a very long, stressful and frustrating process, don’t recommend it.
I was doodling about with inks recently, just to see if I could still do something artistic while I was feeling so down. So here are the results … one (the daisies) was a request from a friend of my daughters, I hope she likes it.