New mixed media abstract work

Reef

“Reef”

14″ x 10″ (A3) unframed 297mm x 420mm

Liquid acrylics (inks), Rembrandt soft pastels, Pebeo gold effect foil on 140lb acrylic paper (Daler Rowney system 3)

Various … oil and soft pastel experiments

‘Oil Poppies’

Approx. 12″ x 8″

Underpainting of alcohol inks, added area of gold metal effect medium, then overpainted with oils (not artist quality) on canvas board.

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I didn’t have any linseed oil or other mediums, as well as cleaning solvents, so was hesitant to try out these oils but then discovered that I could use Baby oil to dilute the paint and to clean the brushes, also much better on the skin!  So far the baby oil doesn’t appear to have created any dull patches – the paint is still wet, I expect it will only be dry and fully cured in a month’s time.   The oils and canvas board came with the set I describe below.

Soft pastel studies – my first attempts using this medium:

‘Dartmoor landscape’ from reference photo in a book.

Approx. 11″ x 7″

Soft pastels (not artist quality) on cheap scrapbooking type project paper (blue).

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‘Orange landscape’

Approx. 5½” x 7″

Soft pastels (not artist quality) on cheap scrapbooking type project paper (blue).

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Footnote:

I was given a compact artist’s kit comprising oils, acrylics and watercolour materials, plus palette and sample canvas boards, sketching pads, brushes, painting knives etc. etc. for a Christmas present.   These sample paintings are the results of playing about with the stuff in the kit.

I have never used soft pastels (chalk pastels) before and am finding them really fun to work with.  I enjoy the way I can layer over the colours and blend to get quite interesting effects.  This has inspired me to try and purchase better quality soft pastels as soon as I can, as well as some good quality paper – I’d like to turn out more impressive work in the future – so watch this space!

I hope everyone who visits this page had a lovely Christmas and everything of the very best fo 2017 – let’s hope it’s a positive year for all of us!

Another one bites the dust …

Surprisingly (for me … well, it always is) … I had a lot of interest in my Poppy painting and potentially it is now sold – pending collection.   Woop woop … crack open the bubbly 🙂

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“Poppies”

20″ x 16″ x 1/2″

Acrylics on stretched canvas.

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Some new thingies

“New beginning”

Acrylic, inks, gels and pastes on stretched canvas.

17½” x 23½” x ½”

Acrylic painting Janice Scott

Close up of texture.

Acrylic painting detail Janice Scott

 

“Going for a walk”

Acrylics on stretched canvas

20″ x 16″ x ½”

Acrylic painting Janice Scott

Close up of texture:

Acrylic painting detail Janice Scott

And flip …

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I was moving things around over the weekend and ‘accidentally’ stacked my latest large painting the wrong way up.  When I stood back and looked at it, I realised that it is far more dynamic this way up and has more sense of presence.   There is something almost cathedral in the illusion of space.   To me it feels like I am standing on a snow covered street looking up the road  – either side at very tall buildings.  What do others think?

 

Collage on panel

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“Big sky and windmill”

10″ x 8″

Acrylics, Inks, found collage materials (for the foreground) on acrylic canvas board.

Close up:

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This is very much a bit of whimsy.  I will not be posting on here for a few weeks, as I’m going to be in South Africa soon for a short holiday, visiting friends and family.

Collage on paper

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“Field study”

15 ½”  10 ½”

Acrylics, inks, found objects (threads), aluminium foil and gels on acrylic paper.

Close ups of texture:

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The rape seed fields are now turning a glorious golden / electric yellow – I took this picture whilst out on my own last week, when I went to go and find some bluebells in our local woods.

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Bluebells at Tyrrel’s Wood

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Abstract on canvas – large

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“Sea”

47″ x 39″ x 1 ½”

Acrylics, metallic paints and inks, on stretched deep wrap canvas.

Ground has been highly textured over a period of months, resulting in a very robust, cured surface that is quite hard.  I used caulk, modelling paste and other gels to get the texture.    It’s currently hanging in my bedroom (swamping my room as well because it’s quite a large painting), ‘cos I don’t have anywhere else to put it!

 

Close ups of texture detail

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