Hedgerow and Barn

Did a painting over the Easter holidays, inspired by life at the barn where we were a year ago.  I am also fascinated by hedgerow life and conservation.  I used acrylics for this piece on stretched canvas.  To make the marks, I didn’t use any brushes but potatos cut up to stamp the paint with, as well as cotton buds, cotton wool balls, sticks, pieces of wood and cardboard, even tin foil.  I was pleased with the final result and it has received a lot of compliments on Facebook.

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‘Hedgerow and Barn’

Acrylics on stretched canvas.  Ready to hang – does not need a frame.

22″ x 18″ x 3/4″  or 56cm x 45.5cm x 2cm

Pictures below to show detail and reverse. IMG_2205IMG_2206IMG_2208IMG_2209IMG_2210

New work (not for sale)

Something different (for me, at any rate).   Got a bit tired of one of my larger canvasses last week, so decided to jazz it up somewhat.  I don’t do this ‘pointilist’ type of work normally, so it was something strange to begin with but after a while I enjoyed the freedom.

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‘What do you see?’

Acrylics on pre-textured stretched canvas.

120cm x 100cm x 4cm

 

Close up:

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I have been working with water-soluble oil pastels most of the rest of the time and hope to have something half-way decent to post up here soon!

New this week – ‘Gold’

We are settling into our new home and I’m beginning to find more space and time to paint.  This week I completed two pieces, this is the first to get up on a wall:

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Image cropped :

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“Gold”

Acrylics, sand texture, gels and inks on stretched canvas.

Size:  70cm x 60cm x 2cm (approx)  or 27½” x  23½” x 1″

 

Some new work

Well, we have at last settled into our new house.   My painting space is very limited but I’m managing to scrape a hole big enough for myself and the paints … the large one below [abstract seascape) was painted mostly outdoors, great fun that was in 32 degrees C, trying to keep the acrylics wet!

The others were kinda commissions – Bay scene (Devon) was requested by the lady of our house and is now enconced in our seascape themed downstairs bathroom.  Photo is crap, ‘cos there’s not enough room to stand back and get it in the camera frame properly.  Never mind.  The poppies was requested by a friend of mine, hope she likes it.

 

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‘Seascape with sand texture’

Acrylics, inks and texture paste (sand) on stretched canvas.

120cm x 100cm x 4cm

 

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‘Bay- Devon’

Acrylics and inks on stretched canvas 100cm x 39cm

 

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‘Poppies and wheat’

Acrylics and inks, gel pastes, structure pastes on stretched canvas.  45cm x 35cm

View below is minus the reflection.

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New mixed media

There are many things influencing my outlook on life at the moment – some very positive (like moving to our own house very soon – yay, no more renting!) and others not quite as positive (like waiting to find out if we will be able to permanently care for my baby granddaughter – we will only know the answer to that one at end of July).   My youngest son is also now seriously making plans to move over to the UK to be with us all – so that thought is very much at top of mind all the time and I was thinking about that a lot when I started painting this abstract.   It was great to get back to canvas and something larger than the work I’ve been doing lately.

I used a lot of layers in this work, using inks mixed with structure gel and acrylics mixed with gloss gels and other medium.  It was a cathartic experience,  no matter what happens in life, family are the most important – at least they are to me.  And sometimes family comprise people who are not your blood relatives.  I hold them all close to my heart, they give me light …

 

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‘DIVE’

Acrylics, inks, gels, structure gel on stretched canvas.

69cm x 59cm or  27″ x 23″

View of the work on one of my easels:

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Texture close ups  (lots of texture!):

This work is available to purchase.

Commission – completed

The brief I was given from my client was to paint her a picture of her field, which lies behind her offices and home in a rural area of South Norfolk.  She wanted a representation of the field in winter and depending on how that went, would probably ask me to do another painting of the field in summer.   The field or meadow doesn’t have any major features in it, other than a small coppice of trees and a separate area for her rescued chickens.   I knew that she didn’t want me to include the chickens in the finished painting, so I couldn’t mess about with that idea, which was actually what I wanted to do!  Chickens make excellent subjects for paintings!

I did have a few issues with the process of painting the required picture and had several different ideas of how to approach it.  So, I decided to present her with three versions last Friday and let her decide which one or ones she wanted to keep.

The first one is a realism approach taken from a photograph.  I wanted to capture the wintery light and bare branches, the grass was still quite luminous and deeply green.  This is on stretched canvas – 19″ x 16″.  Acrylics over inks.

 

Trees R 1

The second painting was more like the kind of style I enjoy doing, especially when it comes to depictions of trees.  Also on stretched canvas, same size (19″ x 16″) but portrait style.   I used an acrylic ink underpainting, topping it off with oil pastels and oil paints.

 

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The third painting was totally abstract and processed using gels, inks and acrylic paint on an artist canvas board.  This is about twice the size of the stretched canvas paintings.  I forgot to take a photo with my Canon before I took them to the client, and only have this mobile phone photo.

ABstract field

My client was so thrilled with all the paintings that she’s decided she wants all of them!  She is going to get them professionaly framed and then I will return to her home and take photos of these paintings in frames.  I am overjoyed that she really liked all the work, her husband especially liked the middle painting.  She has also decided to feature the paintings in prominent areas of her home – originally she was only going to place the paintings against a wall in one of the corridors leading into her house.

New series – flower studies.

These are the first in a series of flower studies.

All on A3 double gesso-ed acrylic paper.

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‘Cosmos – mixed’

Oils blended with glazing medium on acrylic inks background.

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‘Daisies in sunlight’

Acrylics on acrylic ink background.

 

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Oil pastels and paints – blended with glazing medium on acrylic ink background.

‘Cosmos -2’

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‘Pastel poppies’

Oil pastels blended with glazing medium

New painting – with back story.

I’ve titled this one,  ‘On her way’ – it is inspired by the devastating mental health struggles my youngest daughter is currently experiencing after the birth of her baby almost three months ago.   These last few months have been extremely traumatic for all of us but last night, when I went to visit her with her older sister, it was like she was back to her old self again. There is still a lot more work needs to be done but it was the proverbial light at the end of the tunnel I saw last night, as she walked away from us down the corridor to her room.  She seemed to be surrounded by a golden glow and that’s what I wanted to get across in this painting.

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“On her way”

Acrylics, inks, soft pastels on Daler Rowney system 3 acid free acrylic paper.

16 1/2″ x 11 1/2″  (not for sale)

 

 

 

Yee-ha

Yesht, so I have managed to eventually get myself sorted out with a bit of space to paint in.   I tried it out today because the rest of the family have gone away for the weekend, so I could make as much mess as I liked and actually get to concentrate on something for a whole day. Wonderful.    I made a little video of the process I use to make paintings on stretched canvas (that are considered abstract) … I don’t work like this all the time.

Anyway, hope you enjoy and I’d appreciate comments on my video if you have the time (or inclination) … be brutal, I can take it.  [Yeah, right] This is the finished product:

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‘Sea and Sand’

21 ½” x 18″ x ½”   [55cm x 46cm x 1.5cm]

Acrylics and inks on stretched canvas.

 

 

New soft pastels

‘Trees and grasses’

16″ x 12″ or 406mm x 305mm

Soft pastels (Rembrandt, Reeves, Faber-Castell) on Daler Rowney acid free Ingres coloured paper; 98lb or 160g/m2

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‘Seascape and sunglow’

16″ x 12″ or 406mm x 305mm

Liquid acrylic Inks ; Soft pastels (Rembrandt, Reeves, Faber-Castell) on Daler Rowney acid free Ingres coloured paper; 98lb or 160g/m2

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